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	<title>painting &#8211; OLTA</title>
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	<link>https://olta.jp/en</link>
	<description>オル太 OLTA website</description>
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		<title>Meguninja&#8217;s solo exhibittion &#8220;Capitalism&#8221;</title>
		<link>https://olta.jp/en/currently_on_view/capitalism/</link>
		
		<dc:creator><![CDATA[olta]]></dc:creator>
		<pubDate>Sun, 28 Jan 2024 01:43:46 +0000</pubDate>
				<guid isPermaLink="false">https://olta.jp/?post_type=currently_on_view&#038;p=3347</guid>

					<description><![CDATA[In Meguninja&#8217;s debut solo exhibition, the sculptures scattered throughout express people&#8217;s consumption and desire as symbols of capitalism. &#160; Jan 19 (Fri) 2024-Feb 11 (Sun) 2024 Open: 12:00-19:00, Friday, Saturday, Sunday &#160; Venue: Capsule B1F 2-7-12 Ikejiri, Setagaya-ku, Tokyo 154-0001 https://capsule-gallery.jp]]></description>
										<content:encoded><![CDATA[<p>In Meguninja&#8217;s debut solo exhibition, the sculptures scattered throughout express people&#8217;s consumption and desire as symbols of capitalism.<br />
&nbsp;<br />
Jan 19 (Fri) 2024-Feb 11 (Sun) 2024<br />
Open: 12:00-19:00, Friday, Saturday, Sunday<br />
&nbsp;<br />
Venue: Capsule<br />
B1F 2-7-12 Ikejiri, Setagaya-ku, Tokyo 154-0001<br />
<a href="https://capsule-gallery.jp">https://capsule-gallery.jp</a></p>
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		<title>&#8220;Cultivate House: Uncertain Generation&#8221;</title>
		<link>https://olta.jp/en/currently_on_view/ch2022/</link>
		
		<dc:creator><![CDATA[olta]]></dc:creator>
		<pubDate>Sun, 06 Mar 2022 08:30:34 +0000</pubDate>
				<guid isPermaLink="false">https://olta.jp/?post_type=currently_on_view&#038;p=2975</guid>

					<description><![CDATA[&#160; Currently, we are implementing &#8220;Cultivate House: Uncertain Generation&#8221; , in which we build a hut and live and farm on land in Moriya City. &#160; &#8220;Cultivate House: Uncertain Generation&#8221; Period: February 2, 2022 (Wed) &#8211; March 14, 2022 (Mon), 13:00 &#8211; 17:00 Location: Moriya City, Ibaraki Prefecture (will be announced to those who inquire)...]]></description>
										<content:encoded><![CDATA[<p><img fetchpriority="high" decoding="async" class="alignnone size-medium wp-image-2964" src="https://olta.jp/wp-content/uploads/2022/02/cultivatehouse1-200x300.jpg" alt="" width="200" height="300" srcset="https://olta.jp/wp-content/uploads/2022/02/cultivatehouse1-200x300.jpg 200w, https://olta.jp/wp-content/uploads/2022/02/cultivatehouse1-683x1024.jpg 683w, https://olta.jp/wp-content/uploads/2022/02/cultivatehouse1-768x1152.jpg 768w, https://olta.jp/wp-content/uploads/2022/02/cultivatehouse1.jpg 823w" sizes="(max-width: 200px) 100vw, 200px" /><br />
&nbsp;<br />
Currently, we are implementing  &#8220;Cultivate House: Uncertain Generation&#8221; , in which we build a hut and live and farm on land in Moriya City.<br />
&nbsp;<br />
&#8220;Cultivate House: Uncertain Generation&#8221;<br />
Period: February 2, 2022 (Wed) &#8211; March 14, 2022 (Mon), 13:00 &#8211; 17:00<br />
Location: Moriya City, Ibaraki Prefecture (will be announced to those who inquire)<br />
*Please let us know the date and time of your visit by email<br />
Details:<br />
1. Interior of the &#8220;Cultivating House<br />
2. harvest of agricultural products (carrots, radishes, etc.)<br />
3. pottery works baked with rice husk smoked charcoal, bamboo works, print works, aluminum can journal, etc.<br />
4. tea made from radish and carrot leaves<br />
Equipment: shoes that can get dirty, warm clothing<br />
&nbsp;<br />
E-mail：mail@olta.jp<br />
&nbsp;<br />
<a href="https://olta.jp/wp-content/uploads/2022/03/olta_ch.pdf">&#8220;Cultivate House: Uncertain Generation&#8221;Press Release</a><br />
&nbsp;<br />
&nbsp;<br />
ARCUS project 2021 IBARAKI<br />
online Open Studios is open<br />
WEBSITE<br />
<a href="https://www.arcusprojectopenstudios.com">https://www.arcusprojectopenstudios.com</a><br />
Period:<br />
March 5, 2022 (Sat) &#8211; March 27 (Sun)<br />
&nbsp;<br />
The results of the two-year artist residencies held from 2020 to 2021 is presented at an online Open Studios event.<br />
The video work &#8220;Cultivate House: Uncertain Generation&#8221; can be viewed on the website.<br />
A talk about our work is also available.</p>
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		<title>オカルティック・ヨ・ソイ</title>
		<link>https://olta.jp/en/currently_on_view/occulticyosoy/</link>
		
		<dc:creator><![CDATA[olta]]></dc:creator>
		<pubDate>Wed, 17 Nov 2021 08:46:06 +0000</pubDate>
				<guid isPermaLink="false">https://olta.jp/?post_type=currently_on_view&#038;p=2934</guid>

					<description><![CDATA[&#8220;Occultic Yo Soy&#8221; &#124; Decameron Olta + Yuki Harada &#160; Occultic Yo Soy, a duo exhibition by Olta and Yuki Harada will be held at Decameron. &#160; Details Curation: Maaru Hiyama Period: October 29th (Fri)-December 12th (Sun), 2021 Venue: Decameron (2F, 1-12-4, Kabukicho, Shinjuku-ku, Tokyo) Hours: 16:00-02:00 (Saturdays 13:00-02:00, Sundays 13:00-20:00) Closed: Mondays ※There is...]]></description>
										<content:encoded><![CDATA[<p>&#8220;Occultic Yo Soy&#8221; | Decameron<br />
Olta + Yuki Harada<br />
&nbsp;<br />
Occultic Yo Soy, a duo exhibition by Olta and Yuki Harada will be held at Decameron.<br />
&nbsp;<br />
Details<br />
Curation: Maaru Hiyama<br />
Period: October 29th (Fri)-December 12th (Sun), 2021<br />
Venue: <a href="https://decameron.jp">Decameron</a> (2F, 1-12-4, Kabukicho, Shinjuku-ku, Tokyo)<br />
Hours: 16:00-02:00 (Saturdays 13:00-02:00, Sundays 13:00-20:00)<br />
Closed: Mondays ※There is a possibility of temporary closure. Please check the official website for the latest information.<br />
Admission: 500 JPY<br />
URL: <a href="http://occulticyosoy.com/">http://occulticyosoy.com/</a></p>
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		<title>Take Don Quijote&#8217;s cue from a&#8230;</title>
		<link>https://olta.jp/en/works/take-don-quijotes-cue-from-a/</link>
		
		<dc:creator><![CDATA[olta]]></dc:creator>
		<pubDate>Wed, 10 Nov 2021 02:15:45 +0000</pubDate>
				<guid isPermaLink="false">https://olta.jp/?post_type=works&#038;p=3495</guid>

					<description><![CDATA[Exhibition: occultic yo soy Curation: Maaru Hiyama Artist: OLTA, Yuki Harada Date: 10.29-12.12 2021 Venue: Decameron http://decameron.jp/]]></description>
										<content:encoded><![CDATA[<p>Exhibition: occultic yo soy<br />
Curation: Maaru Hiyama<br />
Artist: OLTA, Yuki Harada<br />
Date: 10.29-12.12 2021<br />
Venue: Decameron<br />
http://decameron.jp/</p>
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		<title>Cultivate House 2020</title>
		<link>https://olta.jp/en/currently_on_view/cultivate-house/</link>
		
		<dc:creator><![CDATA[olta]]></dc:creator>
		<pubDate>Thu, 23 Apr 2020 08:19:57 +0000</pubDate>
				<guid isPermaLink="false">https://olta.jp/?post_type=currently_on_view&#038;p=2644</guid>

					<description><![CDATA[STAY HOME]]></description>
										<content:encoded><![CDATA[<p>STAY HOME</p>
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		<title>Daily drawing, Daily page</title>
		<link>https://olta.jp/en/works/daily-drawing-daily-page/</link>
		
		<dc:creator><![CDATA[olta]]></dc:creator>
		<pubDate>Sat, 22 Feb 2020 05:00:35 +0000</pubDate>
				<guid isPermaLink="false">https://olta.jp/?post_type=works&#038;p=3142</guid>

					<description><![CDATA[This is a participatory event organized by two collectives, Artist Collective &#8220;OLTA&#8221; and Practitioner Collective &#8220;Kohonya&#8221;. Over one book, participants read out with each other in order and at the same time draw with clue of the words. Create a new margine by reading letters, listening to sounds, expressing them in lines and forms, get...]]></description>
										<content:encoded><![CDATA[<p>This is a participatory event organized by two collectives, Artist Collective &#8220;OLTA&#8221; and Practitioner Collective &#8220;Kohonya&#8221;. Over one book, participants read out with each other in order and at the same time draw with clue of the words. Create a new margine by reading letters, listening to sounds, expressing them in lines and forms, get sucked into the world of books, trying to get away from them, and opening up relationships with a book. What they draw on are materials for example used books, a piece of wood, stones, so it start with the selection of drawing tools.The drawing I drew  crossed over to another hand before I knew it, and add the touch, a new form come back.It goes around drawing like it goes around a book with reading out. Anyone can participate.Anyone can participate.<br />
&nbsp;<br />
&nbsp;<br />
Daily drawing, Daily page vol.35<br />
Date:24th October(Sat)2020 13:00-16:00<br />
Book:Demura Shinichiro “Kogeitan”<br />
Venue:Tokyo Metropolitan Theatre Square, Online(Periscope on Twitter)<br />
<a href="https://honkbooks.com/dddp-35">https://https://honkbooks.com/dddp-35</a><br />
&nbsp;<br />
Tokyo-shi(history/peom) archive ZIN<br />
Printing Biding: Hand Saw Press(RISOGRAPH)<br />
Published:OLTA kohonya honkbooks<br />
18p A3<br />
Price: 2500JPY(sold out)<br />
&nbsp;<br />
&nbsp;<br />
Daily drawing, Daily page vol.34<br />
Date:21st September(Mon)2020 21:00-2300<br />
Book:Toson Shimazaki“The Broken Commandment”<br />
Venue:Online(zoom,MagicalDraw)<br />
<a href="https://honkbooks.com/dddp-34">https://https://honkbooks.com/dddp-34</a><br />
&nbsp;<br />
&nbsp;<br />
Daily drawing, Daily page vol.33<br />
Date:23rd May(Sat)2020 16:00-18:30<br />
Book:Chuya Nakahara“Yagi no uta”<br />
Venue:Online(Zoom, MagicalDraw)<br />
<a href="https://honkbooks.com/dddp-33">https://https://honkbooks.com/dddp-33</a><br />
&nbsp;<br />
&nbsp;<br />
Daily drawing, Daily page vol.32<br />
Date:26th April(Sun)2020 16:00-17:30<br />
Book:Souseki Natsume“Ten Dreaming Nights”<br />
Venue:Online(Zoom, MagicalDraw)<br />
<a href="https://honkbooks.com/dddp32-2">https://honkbooks.com/dddp32-2</a><br />
&nbsp;<br />
&nbsp;<br />
Daily drawing, Daily page vol.31<br />
Date:24th February(Mon)2020 14:00-16:00<br />
Book:Writing by MARY SHELLY translated by Morishita Yumiko“Frankenstein”<br />
Venue: kohonya honkbooks<br />
<a href="https://honkbooks.com/dddp31">https://honkbooks.com/dddp31</a><br />
&nbsp;<br />
&nbsp;<br />
Daily drawing, Daily page vol.30<br />
Date:15th December(Sun)2019 18:00-20:00<br />
Book:Yun Dong-ju“Sky Wind Stars and Poetry”<br />
Venue: kohonya honkbooks<br />
<a href="https://honkbooks.com/dddp30">https://honkbooks.com/post/dddp30</a><br />
&nbsp;<br />
&nbsp;<br />
Daily drawing, Daily page vol.29<br />
“GEIDAI BIBLIOSCAPE 2019”<br />
Date:6th September(Fri)2019-8th(Mon)<br />
DAY1 6th September(Fri)13:00-19:00<br />
DAY2 7th September(Sat)10:00-17:00<br />
DAY3 8th September(Sun)10:00-17:00<br />
Book:Tatsumi Hijikata“yame ru mai hime”<br />
Venue:Tokyo University of the arts, University Library bldg.B<br />
Direct:Tokyo University of the arts University Library/GRADUATE SCHOOL OF FILM AND NEW MEDIA, TOKYO UNIVERSITY OF THE ARTS/RAM Association, kohonya honkbooks<br />
<a href="http://geidai-ram.jp/geidaibiblioscape2019/">http://geidai-ram.jp/geidaibiblioscape2019/</a><br />
&nbsp;<br />
&nbsp;<br />
Daily drawing, Daily page vol.28<br />
Date:21st March(Thu)2019 13:30-17:00<br />
Book:Ango Sakaguchi“Isi no omoi” “In the Forest, Under Cherries in Full Bloom” &#8220;The Idiot&#8221;<br />
Venue: Matsudai Nohbutai<br />
<a href="https://honkbooks.com//dddp28">https://honkbooks.com/dddp28</a><br />
&nbsp;</p>
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		<title>Daily drawing, Daily page vol.29</title>
		<link>https://olta.jp/en/works/daily-drawing-daily-page-vol-29/</link>
		
		<dc:creator><![CDATA[olta]]></dc:creator>
		<pubDate>Fri, 06 Sep 2019 10:24:23 +0000</pubDate>
				<guid isPermaLink="false">https://olta.jp/?post_type=works&#038;p=2374</guid>

					<description><![CDATA[朗読本：土方巽「病める舞姫」 素材：土粘土、木炭、石、木、水、他 「GEIDAI BIBLIOSCAPE 2019」 ｜会期｜ 2019年9月6日［金］－ 8日［日］＊東京藝術大学藝祭期間中 ｜時間｜ DAY１（9/6金） 13:00 – 19:00 DAY２（9/7土） 10:00 – 17:00 DAY３（9/8日） 10:00 – 17:00 ｜会場｜ 東京藝術大学附属図書館B棟（東京都台東区上野公園12-8） ｜URL｜ http://geidai-ram.jp/geidaibiblioscape2019/ ｜企画｜ 東京藝術大学附属図書館, 東京藝術大学大学院映像研究科, RAM Association, コ本や honkbooks ｜助成｜ 2019年度文化庁「大学における文化芸術推進事業」]]></description>
										<content:encoded><![CDATA[<p>朗読本：土方巽「病める舞姫」<br />
素材：土粘土、木炭、石、木、水、他</p>
<p>「GEIDAI BIBLIOSCAPE  2019」<br />
｜会期｜ 2019年9月6日［金］－ 8日［日］＊東京藝術大学藝祭期間中<br />
｜時間｜<br />
DAY１（9/6金） 13:00 – 19:00<br />
DAY２（9/7土） 10:00 – 17:00<br />
DAY３（9/8日） 10:00 – 17:00<br />
｜会場｜ 東京藝術大学附属図書館B棟（東京都台東区上野公園12-8）<br />
｜URL｜ <a href="http://geidai-ram.jp/geidaibiblioscape2019/">http://geidai-ram.jp/geidaibiblioscape2019/</a><br />
｜企画｜ 東京藝術大学附属図書館, 東京藝術大学大学院映像研究科, RAM Association, コ本や honkbooks<br />
｜助成｜ 2019年度文化庁「大学における文化芸術推進事業」</p>
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		<title>Footprint of the wild pig I haven&#8217;t met yet</title>
		<link>https://olta.jp/en/works/footprint-of-the-wild-pig-i-havent-met-yet/</link>
		
		<dc:creator><![CDATA[olta]]></dc:creator>
		<pubDate>Fri, 12 Jul 2019 08:35:47 +0000</pubDate>
				<guid isPermaLink="false">https://olta.jp/?post_type=works&#038;p=2378</guid>

					<description><![CDATA[Installation using prints in the artist in residency “2019 Craft Taitung Creator Exchange Program”. “About the experience he found the foot print of the wild pig when he walked in the mountains in Changon, Taitung, Taiwan, and about the technology close to nature by the Taiwan aborigine”, “Conversation using handwritten notes on the smartphone, to...]]></description>
										<content:encoded><![CDATA[<p>Installation using prints in the artist in residency “2019 Craft Taitung Creator Exchange Program”. “About the experience  he found the foot print of the wild pig when he walked in the mountains in Changon, Taitung, Taiwan, and about the technology close to nature by the Taiwan aborigine”, “Conversation using handwritten notes on the smartphone, to communicate each other&#8217;s Chinese characters  are  Japanese and Taiwanese”,&#8221;Conversation in the meeting hut that was straw-made roof in Puyuma Nanwang Elementary School.About these straws.　Rice plant or imperata cylindrica”.<br />
In these unrealized experiences, communication, and imagination processes, “creating sculptures of wild pig with he sew tree bark thinly stretched with Ami tribe&#8217;s traditional techniques&#8221;, “Reproducing handwritten notes on the smartphone”,“ Incorporating the local wood cypress and zelcova he used as printing plate as pedestal and frame”and so on, put on  handwork and materiality of print process,  adding thickness and physicality to the image.<br />
&nbsp;<br />
Artist in Residence:<br />
Craft Taitung Creator Exchange Program<br />
&nbsp;<br />
exhibition：2019 Craft Taitung Creator Exchange Program「即刻手感」駐村成果展<br />
&nbsp;<br />
Date：2019.6.29ー7.12<br />
Venue：Library of Cultural affairs Department,Taitung Country<br />
&nbsp;<br />
Collection：Taitung Country Cultural Affair Department</p>
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		<title>Exchange program in Taitung, Taiwan / KAWAMURA Kazuhide</title>
		<link>https://olta.jp/en/currently_on_view/exchange-program-in-taitung/</link>
		
		<dc:creator><![CDATA[olta]]></dc:creator>
		<pubDate>Fri, 07 Jun 2019 00:19:27 +0000</pubDate>
				<guid isPermaLink="false">http://thisis.website/olta/?post_type=currently_on_view&#038;p=1396</guid>

					<description><![CDATA[KAWAMURA Kazuhide participate in the CRAFT TAITUNG CREATOR EXCHANGE PROGRAM, an exchange program for Kapo (Kanazawa Art Port) and a residence in Taitung, Taiwan, about one month from June 4, 2019. http://crafttaitung.net]]></description>
										<content:encoded><![CDATA[<p>KAWAMURA Kazuhide participate in the CRAFT TAITUNG CREATOR EXCHANGE PROGRAM, an exchange program for Kapo (Kanazawa Art Port) and a residence in Taitung, Taiwan, about one month from June 4, 2019.<br />
http://crafttaitung.net</p>
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		<title>Hands that Swallow Even the Waves</title>
		<link>https://olta.jp/en/works/hands-that-swallow-even-the-waves-2-2/</link>
		
		<dc:creator><![CDATA[olta]]></dc:creator>
		<pubDate>Wed, 30 Jan 2019 03:25:20 +0000</pubDate>
				<guid isPermaLink="false">http://thisis.website/olta/?post_type=works&#038;p=1385</guid>

					<description><![CDATA[Held a solo exhibition "Hands of Waves" on the theme of "the sea" that he has been thinking since the Great East Japan Earthquake. In the solo exhibition, micro plastic samples were collected at Omori Beach (Tokyo) and Kujukurihama (Chiba), and used as the material of the work to produce three-dimensional works reminiscent of "the...]]></description>
										<content:encoded><![CDATA[<pre id="tw-target-text" class="tw-data-text tw-ta tw-text-small" dir="ltr" data-placeholder="Translation"><span lang="en">Held a solo exhibition "Hands of Waves" on the theme of "the sea" that he has been thinking since the Great East Japan Earthquake. In the solo exhibition, micro plastic samples were collected at Omori Beach (Tokyo) and Kujukurihama (Chiba), and used as the material of the work to produce three-dimensional works reminiscent of "the sea" such as surfboards and Kamaboko(processed fish paste).
 In micro plastic, mass-produced plastic flows out into the sea as waste, is trapped in waves, becomes powdery, and is accumulated inside life in the food chain. Citing from Federico Fellini's movie "Kasanova", this cycle was newly conceived from the scene where the main character Casanova and the participants go around the womb using a projector in the cage of a creature.
The installation is a narrative works that breathes into the immobile creatures of the sea and revives again while collecting large and small units and recovering the spread of incised material.</span></pre>
<p>&nbsp;<br />
Exhibition：Hands that Swallow Even the Waves<br />
Date：January 30 &#8211; February 10, 2019<br />
Venue：Art Center Ongoing, Tokyo<br />
<a href="http://www.ongoing.jp/ja/artcenter/gallery/index.php?itemid=685">http://www.ongoing.jp/ja/artcenter/gallery/index.php?itemid=685</a></p>
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