Format
installation
painting
sculpture
Installation using prints in the artist in residency “2019 Craft Taitung Creator Exchange Program”. “About the experience he found the foot print of the wild pig when he walked in the mountains in Changon, Taitung, Taiwan, and about the technology close to nature by the Taiwan aborigine”, “Conversation using handwritten notes on the smartphone, to communicate each other’s Chinese characters are Japanese and Taiwanese”,”Conversation in the meeting hut that was straw-made roof in Puyuma Nanwang Elementary School.About these straws. Rice plant or imperata cylindrica”.
In these unrealized experiences, communication, and imagination processes, “creating sculptures of wild pig with he sew tree bark thinly stretched with Ami tribe’s traditional techniques”, “Reproducing handwritten notes on the smartphone”,“ Incorporating the local wood cypress and zelcova he used as printing plate as pedestal and frame”and so on, put on handwork and materiality of print process, adding thickness and physicality to the image.
Artist in Residence:
Craft Taitung Creator Exchange Program
exhibition:2019 Craft Taitung Creator Exchange Program「即刻手感」駐村成果展
Date:2019.6.29ー7.12
Venue:Library of Cultural affairs Department,Taitung Country
Collection:Taitung Country Cultural Affair Department
photo:mt. project
Footprint of the wild pig I haven't met yet
print:788×1068mm, wood block lithograph, oil ink on paper
wood block:940×690×70mm,oil ink,solid marker on wood block
soft sculpture:180×380×210mm,tree bark,thread
Footprint of the wild pig I haven't met yet
Footprint of the wild pig I haven't met yet
Conversation retouching a different Chinese character each other
print:105×60mm, paper lithograph,oil ink on paper
wood block:950×1800mm,oil ink,solid marker on wood block
Conversation retouching a different Chinese character each other
Meeting space
950×1800mm, wood block lithograph,oil ink on paper,wood stick,tree bark, thread
photo:mt. project
Format
drawing
field research
painting
KAWAMURA Kazuhide participate in the CRAFT TAITUNG CREATOR EXCHANGE PROGRAM, an exchange program for Kapo (Kanazawa Art Port) and a residence in Taitung, Taiwan, about one month from June 4, 2019.
http://crafttaitung.net
Format
book
drawing
The artist's book, “Machines dwell in humans” examines stones and pigeons, nieces, bows and songs. A book depicting ancient customs and beliefs and contemporary matters, and depicting illustrations.
Format
drawing
paper, cloth, pen, colored pencil, thread, ink
Exhibition:BARRAK INDEPENDANTS
Date:June 15ー24, 2018
Venue:BARRAK, OKINAWA
https://www.barrakindependands.com/home
Format
painting
530×455mm, oil on canvas
When I sit in the chair in the dining room, the dog my family used to have comes crawling on the floor. He stretches his back as if he is a long table, and he invites me to a noble dogfood tasting party.
2273×1620mm. oil on canvas
At the feet, there is a puddle of bed wetting. it reflects the light and gleam that the TV gives out.
1620×1303mm, oil on canvas
I. that lost myself in the forest, am another forest
Date:October 14ーNovember 11, 2012
Venue:akibatamabi21, Tokyo
http://www.akibatamabi21.com/exhibition/121014.htm
2012
oil on canvas
530×455mm
2012
oil on canvas
2273×1620mm
2012
oil on canvas
1620×1303mm
Format
drawing
installation
painting
performance
sculpture
video
Collaboration work and exhibition with three members of alternative space “Gell alterna”.
11 members of OLTA and Gell alterna became fictional authors, and they wrote a story. An exhibition based on the produced story was held.
https://gellalterna.wixsite.com/gellalterna/blank-4
Exhibition:Fold spelling,thick knit
Date:July 22 ーAugust 5, 2012
Venue : gellalterna
OLTA:Jang-Chi、HASEGAWA Yoshiro, KAWAMURA Kazuhide, UMEDA Gosuke, SAITO Takafumi, INOUE Toru, TAKAGI Makito, MEGUNINJA
direction:Issei Kurihara, Taketo Kobayashi, Ryota Tanaka
Photo: KATO Ken
Talking head
2012
Performance, Sculpture
2000×500×500mm
wood, speaker, enamel paint
One picture a day
2010
Painting
Photo: KATO Ken
Photo: KATO Ken
Photo: KATO Ken
Photo: KATO Ken
Photo: KATO Ken
Photo: KATO Ken